They join two existing lenses in the lineup, the RF 35mm f/1.4L VCM and RF 24-105mm f/2.8L IS USM Z, along with a brand new ...

So, a 50mm lens on a Nikon DX body has a comparable angle ... The wide-angle ballpark sits between 24 and 35mm, and is used ...

The conclusion is that the Nikkor Z 35mm f/1.8S lens is a little on the more expensive side compared to the 50mm, but the performance is equally stunning so there is some justification there.

The Z 50mm f/1.4 design is pretty much a copy-and-paste of the Z 35mm f/1.4, meaning it's a small and simple lens. The lenses are practically the same in size and weight, with the Z 50mm a hair's ...

The RF 24mm F1.4 L VCM and RF 50mm F1.4 L VCM are part of Canon's new 'hybrid' series of lenses designed to work with both EOS and Cinema EOS cameras.

The Canon RF 50mm f/1.4L VCM employs separate USM and Voice Coil Motors, with the VCM driving heavier groups of glass ...

Canon is set to expand its RF-mount lens line up with three new 'hybrid' lenses for its mirrorless cameras. In a teaser, the ...

I’m well accustomed to paying more for faster apertures but, like the 35mm lens, the new 50mm f/1.4 undercuts the price of the slower Nikon Z 50mm f/1.8 S which sells for $627/£599 and the ...

Considering the cost of the f/2.8 GM version, it makes the 16-35mm f/4 look quite an attractive proposition. For more options have a look at our lens top lists which feature optics we've reviewed ...

Canon has just launched two new prime RF lenses, including the RF 50mm F1.4L VCM. As we have already seen with the RF 35mm ...

However, the new Z 50mm f/1.4 is a stripped-back variation ... It's pretty much in the same mold as the Nikkor Z 35mm f/1.4 lens which I reviewed recently – the pair share practically the ...